Sort of like getting hit in the nackers......
Speaking from an open mind - "very talented".
Not my cuppa tea though. I'll keep my Pink Floyd, ta.
"...you meet the weirdest people riding a Guzzi !!..."
More commonly known as counter-tenors. Some of them are just mind-boggling....eg this dude...
Frankly I see nothing wrong with using your voice however you can...
. “No pleasure is worth giving up for two more years in a rest home.” Kingsley Amis
The guy is good (on the Britain has Talent). Not what I expected given his appearance but he's got a bloody talent!
$2,000 cash if you find a buyer for my house, kumeuhouseforsale@straightshooters.co.nz for details
Male sopranos really impress me. Outstanding use of head-voice.
The dude on britain's got talent sounds a bit amatuerish to me.
In the Baroque period castrati were highly sought after by the ladies; both for their (apparently) beautiful voices and the other side benefit......
Promising boy sopranos were "done" in order for them to keep their soprano vocal range, but with all the power of the male frame.
It used to be a very popular musical form back then, but died out - gee I wonder why? But certainly it was nothing unusual back in those days.
Certainly not what I expected from looking at him; so proof, if ever it was needed, of "don't judge a book by it's cover"!
From "Baroque Music" by Claude Palisca: "The part of Caesar was written for the famous alto castrato Senesina. Castrated male sopranos and alto were Handel's preferred voices for heroic parts such as that of Caesar. (If operated upon before his voice changed, a boy possessing a naturally good voice, could with age and training develop a powerful, smooth, agile projection, while preserving the high pitch. When Handel could not find a good castrato , he sometimes wrote a youthful male role for a woman soprano, but he usually preferred women for female roles.)" .........[and continuing] "Cleopatra, the prima donna part, first sung by the great Francesca Cuzzoni, likewise has eight arias....."
Shakespeare (late 1500s - mid 1600s) was before the time of Bach and Handel (two of the most easily recognised of the Baroque composers) so the ban on women on stage been just a "theatre-at-that-time" thing or simply superceded by the realism of having women on stage for female roles.
Wouldn't a male be a "Soprana"?
More commonly known as countertenors or sometimes sopranists.
My wife is a mezzo-soprano and after years of listening to her and her pals I find high male voices a bit naff.
And that guys choice of the Nossum Dorma is just wrong - it wasn't written for that register (and yes, I know females have done it before, but it doesn't make it right).
He should have sung a female part to show off that voice.
What that needed.....
Was a viking running on stage and performing some axe murder (on the tri-sexual with the bitch voice), and Dimebag Darrells ghost appearing in flames and laying down some more of the most legendary riffs ever ripped out of hell.
FUCCCCK YEAH!!!!!!!
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