I fixed that for you.
1970's American cinema is pretty much my favourite era in film. Box office success, money, actors, and the auteur made for some great cinema.
I would argue that the ending of EASY RIDER as compared to VANISHING POINT are not really that similar. In EASY RIDER I think that the point was these guys have done this drug running, they got paid, then purely in a wrong place/wrong time they get murdered. Whether thats a reflection on the North/South divide in the US, the mainstream vs the counterculture, or just random isn't really explained. I've alsways felt it was a tacked on end purely designed to appeal to US censors: you cannot have these guys doing bad things and getting away with it. (As an aside, I am totally looking forward to the ending of BREAKING BAD to see how this is handled in the modern era).
VANISHING POINT's Kowalski is the perfect existential hero. He lives only to drive and when it becomes apparent he can't drive anymore he kills himself.
I love the way in VANISHING POINT that there really is no point to him doing what he does: its a delivery, its not his car, and the motives and such that are ascribed to him are projected onto him by others, in particular the Radio DJ. We never know why, just what he does. To (mis)quote another great film "He's a nihilist, he doesn't believe in anything". When I saw that film on the big screen (how I got into it I will never know) I was genuinely shocked by the ending.
Its still really powerful.
PS we'll agree not to mention the risible remake. It is AWFUL. Dont go there.
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