Where to begin...
I saw the video for the single "Gone, Gone, Gone" on C4 and was immediately hooked. Robert Plant needs no introduction, but my only previous exposure to Alison Krauss was on the "Oh brother, where art thou" soundtrack. With 2 such diverse artists I wasn't sure what to expect.
With a track list made up of (somewhat) obscure covers performed in earthy bluegrass/rock strains, this is music to chill by rather than dance.
The tone is set with the opening reverberating bass line in Rich Woman, and by the time the first verse is over, you would have sunk into the groove that will last for the whole album, save for the wailing Tom Waits tune "Trampled Rose". The duets in the tracks are extremely well balanced, but each artist gets to stretch their own range with the other providing a subtle counterpoint.
For those who think Plant's range is limited to the harsh Led Zep sound, the melodic and mournful "Polly Come Home" will lay your skepticism to rest, but if it's the angry Plant you're after, then "Fortune Teller" gives a glimpse of the old rocker.
Alison Krauss' solo efforts are pitch perfect representations of a vocalist at the top of her craft. The lilting "Sister Rosetta Goes Before Us" shows her ample range, but her choice to lend her lead vocal to the love ballad "Through The Morning, Through The Night" seems misplaced, as the object of the affectation in the song is a woman.
All in all, this album is highly recommended as every track, aside from the aforementioned "Trampled Rose", is well crafted and has something new to offer for every repeat listen. You will also find yourself singing along to most tracks after 1 or 2 listens and marveling at how even a hacks harmonies fit in quite well (in the helmet anyway).
It's on repeat in the cage, on my laptop hard drive for 1 or 2 listens daily at work and is in my phone for mp3 motorcycling goodness and it should be in yours too.
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