When you have very limited time between classes (on an art and design course no less) you don't bother with fancy stuff. It's spitballing, playing with colours, getting the idea out and concreted. Have you seen pre-vis work for 3d and VFX'd movies? There is a whole department that just makes that makes super basic content, just so the idea is nailed down.
If this was paid work, the first thing I would do is get some better photos of the bike (yes, even if I had to ride down there) Do you know how hard it is to make clipped white into black without directly applying colour?
I don't take offense at your statements, just a little miffed you didn't seem to realize that its not supposed to be a full out judged photomanipulation.
Te audire no possum. Musa sapientum fixa est in aure.
Agree with ya nathanwhite. I am in the media design industry as a senior visualization artist. And what I am seeing is basically all you can do with this particular image without 3d modelling the coloured elements, rendering the different colour options and applying it in photoshop.
Yeah I do actually. I've been using Photoshop since version 1.5.
[QUOTE=Timmeh:P;1130280295What I am seeing is basically all you can do with this particular image without 3d modelling the coloured elements, rendering the different colour options and applying it in photoshop.[/QUOTE]
Bollocks. Try copying the tank image, copy out to grayscale and tweak the levels and invert to create the alpha and use that to determine the amount of colour to start with. Then build up with an airbrush.
I realise it's a quick render. Honestly, this started out as a jokey off the cuff comment. Your replies though make me despair at the level of talent left in the retouching industry. Retouchers have gotten lazy. I knew this would happen and argued the point with the Adobe programmers many years ago.
And I to my motorcycle parked like the soul of the junkyard. Restored, a bicycle fleshed with power, and tore off. Up Highway 106 continually drunk on the wind in my mouth. Wringing the handlebar for speed, wild to be wreckage forever.
- James Dickey, Cherrylog Road.
I tried that. It got a little muddled halfway though. Could you show me what you mean?
If you can show me a efficient method of turning the body of that bike in that photo black, that looks photorealistic, or very close to it, then I will eat my words.
Te audire no possum. Musa sapientum fixa est in aure.
A member called Romeo is very good at this stuff---->> http://www.kiwibiker.co.nz/forums/member.php/8605-Romeo
He had a go at my old Sprint...
And I to my motorcycle parked like the soul of the junkyard. Restored, a bicycle fleshed with power, and tore off. Up Highway 106 continually drunk on the wind in my mouth. Wringing the handlebar for speed, wild to be wreckage forever.
- James Dickey, Cherrylog Road.
The undersides do look black and you have done better job there then I will be capable of for a long time yet.
I'm sure you will agree though that the top is too blown out to be effectively changed to a nice black
Te audire no possum. Musa sapientum fixa est in aure.
And I to my motorcycle parked like the soul of the junkyard. Restored, a bicycle fleshed with power, and tore off. Up Highway 106 continually drunk on the wind in my mouth. Wringing the handlebar for speed, wild to be wreckage forever.
- James Dickey, Cherrylog Road.
Yup. You'd have to airbrush everything which is a right pain. It can be done though. You need to isolate the ares with the pen tool, create alphas and use combinations of blends and airbrushed shadows and highlights to do it. Don't give up. Given enough time and money anything is possible.
And I to my motorcycle parked like the soul of the junkyard. Restored, a bicycle fleshed with power, and tore off. Up Highway 106 continually drunk on the wind in my mouth. Wringing the handlebar for speed, wild to be wreckage forever.
- James Dickey, Cherrylog Road.
Where I differed from you is in the following:
- use pen tool to describe a path around the tank.
- Turn the path into a selection.
- Copy the image data from the background, invert it, and save it into an alpha channel.
- Using the alpha, add some colour block layers using luminosity as your mode.
- Then bring in a few other colour layers in varying modes - darken, colour dodge.
- rinse and repeat.
And I to my motorcycle parked like the soul of the junkyard. Restored, a bicycle fleshed with power, and tore off. Up Highway 106 continually drunk on the wind in my mouth. Wringing the handlebar for speed, wild to be wreckage forever.
- James Dickey, Cherrylog Road.
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