I must have explained staggered Aux port theory 100 times , but here goes.
Its a twofold act.
Firstly - At EPO , we want the highest amplitude , and longest duration initial wave front ( yes its sonic ) entering the duct and subsequently the header.
This will generate the highest and longest negative pressure ratio at the Ex port around BDC if the pipe geometry is correctly timed.
To achieve this goal we want a single port with the most efficient Blowdown geometry ( ie area ) dumping into the smallest duct area possible.
This is helped immensely by lifting the duct floor ( Jan's genius ) and or necking down the duct exit area to achieve Mach 0.8 ( some tosser called Wobbly's innovation ).
Having the Aux ports lower achieves two goals , it restricts the EPO area , thus generating a high and wide initial wave front , and that wave front is coherent ie because
the Aux duct length is considerably longer than that of the main , this would smear out the high pressure ratio we are striving to achieve if it was active at EPO.
The area at the point the Aux side ducts enter the main is the greatest , and having a later timed high intensity "pulse" entering that area after the main one has passed would in effect create a double
camel hump pressure front that confuses the already complex pipe / wave interaction.
Thus the staggered Aux port is reduced effectively to the role of only dropping the Blowdown remnant pressure before TPO.
Lastly , having concurrent 3 port EPO generates huge Blowdown efficiency , and this kills the front side power , as the staggered transfers actually use remnant Blowdown pressure to
stall flow in the highest TPO , and having very low remnant Blowdown pressure severely reduces the transfer scavenging regimes ability at lower rpm's.
So there you have it SOTA is now staggered Ex and transfers that are subtilty interactive.
Ive got a thing thats unique and new.To prove it I'll have the last laugh on you.Cause instead of one head I got two.And you know two heads are better than one.
Bookmarks